Jean-Michel Basquiat’s love of the Alps celebrated in new exhibition
In The Dutch Settlers (1982), Jean-Michel Basquiat splices markers of historical exploitation (“TOBACCO”), the birthplace of African civilisation (“NUBIA”),…
In The Dutch Settlers (1982), Jean-Michel Basquiat splices markers of historical exploitation (“TOBACCO”), the birthplace of African civilisation (“NUBIA”),…
Pace African & Oceanic Art announced it would close this week after more than 50 years of selling artefacts…